Thefilm highlights the singular impact of Duchamp’s philosophy on art, and, more importantly, examines how Duchamp’s revolutionary ideas from the early 20th century have shaped the 21st century and modern day. In a deleted scene below, shown exclusively by Art & Object, contemporary master Jeff Koons discusses how Duchamp influenced his
JeffKoons has a large collection of artworks, but there are some pieces that are more recognizable than others. Ushering in Banality (1968) was a part of a collection of sculptures called Banality and caused issues to arise since there was a use of copyrighted images and some of the sculptures have been sold for millions of dollars.
ColumWood, "BMW M3 GT2 Unveiled by Designer Jeff Koons in Paris, Ready to Race at Le Mans," autoguide.com, June 2, 2010, online, (color ill.). "Art cars unveiled ahead of races on both sides of the Atlantic,” The Independent, June 2, 2010.
JeffKoons. Fondation Beyeler, Basel, Switzerland [May 13, 2012 - October 2, 2012] (Blue) Jeff Koons: Cracked Egg (Blue). Conservatory, Aylesbury, Waddesdon Manor, Buckinghamshire, England [May 12 - October 31, 2010] (Blue) Sexuality and Transcendence. Pinchuk Art Centre, Kiev, Ukraine [April 24 - September 19, 2010]
Puppy by Jeff Koons. Singer MarĂa JosĂ© Llergo and curator LucĂa Agirre talk about the power of nature from the joyful, positive perspective that spreads from Jeff Koons’s flower sculpture Puppy (1992). Inside Puppy’s belly, MarĂa JosĂ© sings as LucĂa tells her the story of the Museum’s guard dog and shares conservation tips with her.
OnMay 17, Jeff Koons’s sculpture Rabbit (1986) sold at Christies’ Post-War & Contemporary sale for $91.1 million, the largest ever price tag for a work by a living artist. In response to the considerable grumbling, Roberta Smith took to her usual spot in The New York Times to exhort her readers to, as her headline puts it, “Stop Hating
JeffKoons, Inflatable Flower and Bunny (Tall White and Pink Bunny), 1979, vinyl and mirrors, 32 x 25 x 18″. Whether by faking, borrowing, or stealing, artists today commonly produce works of art that employ the vocabulary of industry. This is not surprising if one considers the extent to which the broader contemporary language of form derives from
AlastairSooke examines the questions and controversies surrounding the celebrated artist Jeff Koons. as in the case of his series Made in Heaven (1989-91). In sculptures,
LaexposiciĂłn establece un paralelismo entre las obras de Marcel Duchamp y Jeff Koons —dos de los artistas más influyentes del siglo XX— para abordar conceptos clave sobre los objetos, las mercancĂas y la relaciĂłn del artista con la sociedad. Apariencia desnuda es la primera exposiciĂłn que muestra en conjunto la obra de estos legendarios artistas. Al
Morethan 100 years later, a new exhibition at Mexico City’s Museo Jumex, “Appearance Stripped Bare: Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even,” pairs some of
.
jeff koons ready made
